Upstate New York is an opulent landscape, immortalized by the Hudson River painters, containing mills and factories abandoned in the aftermath of waning industrialization, and residents struggling with gentrification. As a resident, I am interested in, and regularly confronted by, this dichotomy. I paint images gleaned from Hudson River School pieces, and then intermix, within and over those scenes, contemporary convenience store-inspired imagery. Collectively titled “Dollar Tree,” the interplay of these two types of imagery suggests the visual confusion of our social media saturated world.